BERNARD BUFFET: The painter with the golden arm

Bernard Buffet

Bernard Buffet was focused on common culture, death, art history, sexuality, and politics, intermittently referring directly to present events and artists. Buffet had a productive career with over 8000 paintings and a worldwide appeal and acknowledgment, including decades of international exhibits and awards, that include the 1974 Académie des Beaux-Arts. Bernard Buffet was born on 10th July in 1928, Paris, France. He was a visionary who began his artistic career at 14 at the Ecole des Beaux school of Arts. He was a major prize winner and an excellent talent by 1946 when he was only 18 years old.

Clown Bernard Buffet

Bernard Buffet’s favourite themes included war atrocities, landscapes, mythology, naked men, still-lifes, and the circus. His world-famous clowns symbolised his strange cosmos, dark and sad internal conscience, as well as that of other people.
Bernard Buffet’s preferred subjects were portraiture clowns’ faces. These paintings, particularly the sorrowful clowns, significantly contributed to his worldwide reputation. Bernard Buffet’s clown paintings were self-portraits of himself. They are the expression of his inner concerns, traumas and existential conflicts, which characterised his life.
His ability to portray the spirit of postwar French society contributed significantly to the success of his clowns. Its dry, harsh, black lines appear to have been passed down through generations of agony and hardship. His clowns bear witness to the painter’s existentialist sorrow. Buffet’s clown paintings disclose, exaggerate, and magnify humanity’s inner suffering.
The sale of the Bernard Buffet clown portraits rapidly skyrocketed, propelling the painter to new heights of fame. To learn more about bernard buffet clown painting, visit online galleries.

Bernard Buffet’s work and exhibitions

Bernard Buffet produced yearly theme shows at the Garnier art gallery that explored literature, art history, symbolism, dark political religion and several other themes. Bernard Buffet’s creative work is well-known in Japan. His bleak Horror of War series, as well as a plethora of townscapes and inner scenes inhabited with angular, soulless individuals, are among his most well-known works.

His work includes self-portraits, religious themes, and still-lifes and lithography, engravings, and sculpting. During his career, he was the first foreign painter to have a museum devoted to him. He was a big seller in his youth, dependability, and ability to comprehend the postwar world. He won his first award in a poll of the country’s greatest artists, conducted by the Connaissance des arts magazine in 1955.
In 1958, Bernard Buffet became France’s most acclaimed painter by the age of thirty. His paintings at the Galerie Charpentier art gallery, Paris, Los Angeles County Art Museum, Musée d’Art Moderne, the Museum für Moderne Kunst and Meguro Museum of Art, Tokyo were the focus of exceptional exhibitions.
Presently, just two museums retain and show the renowned French painter’s masterpieces. One of these museums was founded by Kiichiro Okano.

Buffet’s Final theme

Buffet’s art was extremely successful in the 1950s and 1960s, as he was the degree of media coverage around his life. Despite the fact that he continued to paint throughout his life, enthusiasm in his work waned in the latter decades of the twentieth century, particularly in France. His fall from favour with French art critics, whose support and focus turned away from expressive and figurative painting, contributed to his decrease in popularity.

Buffet took his own life at his residence in Tourtour, France, on October 4, 1999. He had committed his life to art, and the realisation that Parkison’s sickness had robbed him of his capabilities was painful to him. He selected death as the theme for his final exhibition that happened after he died.